The forgotten Don Quichotte: Trois chansons and the early.
JACKSON, AARON RONALD, D.M.A. Maurice Ravel: Trois Chansons and World War I. (2014) Directed by Dr. Welborn E. Young. 62pp. Maurice Ravel (1875-1937) began writing Trois Chansons in November of 1914 and completed it in February of the following year.
Maurice Ravel (1875 to 1937) was French, of paternal Swiss and maternal Basque descent. Ravel combined skill in orchestration with meticulous technical command of harmonic resources, writing in an attractive musical idiom that was entirely his own, in spite of contemporary comparisons with a composer his senior by some twenty years, Claude Debussy.
The texts are Ravel’s own and just as typical of his personality as the music he wrote for them, Nicolette with its wry humour, Trois beaux oiseaux du Paradis with its tender fairy-tale symbolism (the three colours of the birds being those of the French flag), and Ronde, a virtuosic display of tongue-twisting verbal dexterity worthy of.
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Until now, analysis of the Trois chansons has not sufficiently considered the importance of either plainchant or the arabesque and their influence on the style and character of this work. Viewing Debussy’s musical aesthetic through the lens of plainchant and the arabesque brings his music to life in a new and exciting way, resulting.
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